When she says Margarita she means Daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."

He's supposed to know that.

When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
   is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.

When a woman loves a man it is one-ten in the morning,
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.

When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"

When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water ruching over smooth rocks,
and there is nothing alien in the universe.

Ripe apples fall about them.
What else can they do but eat?

When he says, "Ours is a transitional era."
"That's very original of you," she replies,
dry as the Martini he is sipping.

They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.

One year they broke up seven times and threatened to do it
   another nine times.

When a woman loves a man, she wants him to meet her at the
   airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that
   she's two hours late
and there's nothing in the refrigerator.

When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.

When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.

- David Lehman

dupliquei-me!

(will you teach a
wretch to live
straighter than a needle)

ask
   her
       ask
           when
               (ask and
               ask
               and ask
again and)ask a
brittle little
person fiddling
in
the
rain

(did you kiss
a girl with nipples
like pink thimbles)

ask
   him
       ask
           who
              (ask and
              ask
              and ask
ago and)ask a
simple
crazy
thing
singing
in the snow

- e.e. cummings

- e. e. cummings

A Large Number

Four billion people on this earth,
but my imagination is the way it's always been:
bad with large numbers.
It is still moved by particularity.
It flits about the darkness like a flashlight beam,
disclosing only random faces,
while the rest go blindly by,
unthought of, unpitied.
Not even a Dante could have stopped that.
So what do you do when you're not,
even with all the muses on your side?

Non omnis moriar—a premature worry.
Yet am I fully alive, and is that enough?
It never has been, and even less so now.
I select by rejecting, for there's no other way,
but what I reject, is more numerous,
more dense, more intrusive than ever.
At the cost of untold losses—a poem, a sigh.
I reply with a whisper to a thunderous calling.
How much I am silent about I can't say.
A mouse at the foot of mother mountain.
Life lasts as long as a few lines of claws in the sand.

My dreams—even they are not as populous as they should be.
There is more solitude in them than crowds or clamor.
Sometimes someone long dead will drop by for a bit.
A single hand turns a knob.
Annexes of echo overgrow the empty house.
I run from the threshold down into the quiet
valley seemingly no one's—an anachronism by now.

Where does all this space still in me come from—
that I don't know.

- Wislawa Szymborska

(adoro as tuas meias adoro as coxas as curvas os lábios o calor que emanas a flor o suor as formas o sabor e todas as cores com que falas)

When man
enters woman,
like the surf biting the shore,
again and again,
and the woman opens her mouth with pleasure
and her teeth gleam
like the alphabet,
Logos appears milking a star,
and the man
inside of woman
ties a knot
so that they will
never again be separate
and the woman
climbs into a flower
and swallows its stem
and Logos appears
and unleashes their rivers.

This man,
this woman
with their double hunger,
have tried to reach through
the curtain of God
and briefly they have,
though God
in His perversity
unties the knot.


- Anne Sexton

When getting my nose in a book
Cured most things short of school,

It was worth ruining my eyes
To know I could still keep cool,
And deal out the old right hook
To dirty dogs twice my size.

Later, with inch-thick specs,
Evil was just my lark:
Me and my coat and fangs

Had ripping times in the dark.
The women I clubbed with sex!
I broke them up like meringues.

Don't read much now: the dude
Who lets the girl down before
The hero arrives, the chap
Who's yellow and keeps the store

Seem far too familiar. Get stewed:
Books are a load of crap.

- Philip Larkin

A verdade é que vamos envelhecer, decair e morrer imenso, muito mesmo, e até lá eu quero esfolar-me a crescer, arder, voar, calcorrear, tudo isso ao teu lado, com toda a fome e sede e desejo de espremer a vida sem pensar nas horas que passam.

Preciso de ti.

E preciso de ti bem, ao meu lado, comigo, quente, quente, a molhar os meus dedos e a minha boca com o teu amor, a acolher-me dentro de ti e a ir comigo pelo resto do tempo sem pensar, sem pensar.

Adoro-te :)

Walkers With The Dawn

Being walkers with the dawn and morning,
Walkers with the sun and morning,
We are not afraid of night,
Nor days of gloom,
Nor darkness--
Being walkers with the sun and morning.

- Langston Hughes

Quero escrever-te muitas coisas e sei que isso vai causar-te um aperto no peito porque, não podendo lê-las com atenção, ficarás irritada. E para lê-las como talvez quisesses, não poderás dividir-te mais do que já estás durante o dia. E assim ficam muitas sensações por relatar, pensamentos e tropeções por partilhar, porque ao final da tarde já só vejo o teu rosto, já só me interessam os teus lábios e os beijos que deles saem, e porque a paz que extraímos dum abraço à volta dos livros (sejam livros os nossos filhos com páginas que nunca viramos) é dominante sobre as marcas que o mundo nos fez hoje.
Por isso fico entupido, por me afogar nas curvas das tuas nádegas, quando o perfume com que afirmas "existo e sou tua!" atropela as coisas todas, das quais primeiramente pensamos servirem para unir um homem e uma mulher, mas depois se deixam ir para que no dia, semana, mês seguinte sejam marcas d'água à medida que outras certezas lhes sobrevêm. E depois é beijarmo-nos e adormecer com a paixão às vezes aplacada, mas saber sempre o quanto queria ter-te escrito mais coisas, tê-las gravado com a boca no mesmo ar que respiras.

The mysteries remain,
I keep the same
cycle of seed-time
and of sun and rain;
Demeter in the grass,
I multiply,
renew and bless
Bacchus in the vine;
I hold the law,
I keep the mysteries true,
the first of these
to name the living, dead;
I am the wine and bread.

I keep the law,
I hold the mysteries true,
I am the vine,
the branches, you,
and you.

- H.D.

Once upon a time there was a number
Pure and round like the sun
But alone very much alone

It began to reckon with itself

It divided multiplied itself
It subtracted added itself
And remained always alone

It stopped reckoning with itself
And shut itself up in its round
And sunny purity

Outside were left the fiery
Traces of its reckoning

They began to chase each other through the dark
To divide when they should have multiplied themselves
To subtract when they should have added themselves

That's what happens in the dark

And there was no one to ask it
To stop the traces
And to rub them out.

- Vasko Popa

Wedding


Each strips his own skin
Each bares his own constellation
Which has never seen the night

Each fills his skin with rocks
And plays with it
Lit by his own stars

Who doesn't stop till dawn
Who doesn't bat an eyelid or fall
Earns his own skin

(This game is rarely played)

- Vasko Popa

Far Within Us

We raise our arms
The street climbs into the sky
We lower our eyes
The roofs go down into the earth

From every pain
We do not mention
Grows a chestnut tree
That stays mysterious behind us

From every hope
We cherish
Sprouts a star
That moves unreachable before us

Can you hear a bullet
Flying about our heads
Can you hear a bullet
Waiting to ambush our kiss



Look here's that uninvited
Alien presence look it's here

A shudder on the ocean of tea in the cup
Rust taking hold
On the edges of our laughter
A snake coiled in the depths of the mirror

Will I be able to hide you
From your face in mine

Look it's the third shadow
On our imagined walk
Unexpected abyss
Between our words
Hoofs clattering
Below the vaults of our palates

Will I be able
On this unrest-field
To raise you a tent of my hands


Unquiet you walk
Along the rims of my eyes

On the invisible grating
Before your lips
My naked words shiver

We steal moments
From the unheeding iron saws

Your hands sadly
Flow into mine
The air is impassable


Green gloves rustle
On the avenue's branches

The evening carries us under its arm
By a path which leaves no trace

The rain falls on its knees
Before the fugitive windows

The yards come out of their gates
And stand looking after us


The nights are running out of darkness

Steel branches grasp
The arms of passers-by

Only anonymour chimneys
Are free to walk the streets
Which slice across our sleeplessness

In the gutters our stars decay


From the wrinkle between my brows
You watch till day breaks
On my face

The waxen night
Is beginning to singe
The fingers of dawn

Black bricks
Have already tiled
The whole dome of the sky


Toothed eyes fly
Over still waters

Around us purple lips
Flutter from branches

Screams hit the blue
And fall onto pillows

Our homes hide
Behind narrow backs

Hands clutch at
Flimsy clouds

Our veins roll turbid
Bed and tables

Of shattered bones
Noon has fallen into our hands

And turned all gloomy

An open grave on the face of the earth
On your face on my face


- Vasko Popa
Trad.Anne Pennington

Keeping Things Whole

In a field
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.

When I walk
I part the air
and always
the air moves in
to fill the spaces
where my body's been.

We all have reasons
for moving.
I move
to keep things whole.

- Mark Strand

Admonitions to a Special Person

Watch out for power,
for its avalanche can bury you,
snow, snow, snow, smothering your mountain.

Watch out for hate,
it can open its mouth and you'll fling yourself out
to eat off your leg, an instant leper.

Watch out for friends,
because when you betray them,
as you will,
they will bury their heads in the toilet
and flush themselves away.

Watch out for intellect,
because it knows so much it knows nothing
and leaves you hanging upside down,
mouthing knowledge as your heart
falls out of your mouth.

Watch out for games, the actor's part,
the speech planned, known, given,
for they will give you away
and you will stand like a naked little boy,
pissing on your own child-bed.

Watch out for love
(unless it is true,
and every part of you says yes including the toes) ,
it will wrap you up like a mummy,
and your scream won't be heard
and none of your running will end.

Love? Be it man. Be it woman.
It must be a wave you want to glide in on,
give your body to it, give your laugh to it,
give, when the gravelly sand takes you,
your tears to the land. To love another is something
like prayer and can't be planned, you just fall
into its arms because your belief undoes your disbelief.

Special person,
if I were you I'd pay no attention
to admonitions from me,
made somewhat out of your words
and somewhat out of mine.
A collaboration.
I do not believe a word I have said,
except some, except I think of you like a young tree
with pasted-on leaves and know you'll root
and the real green thing will come.

Let go. Let go.
Oh special person,
possible leaves,
this typewriter likes you on the way to them,
but wants to break crystal glasses
in celebration,
for you,
when the dark crust is thrown off
and you float all around
like a happened balloon.

- Anne Sexton